Sunday, August 21, 2011
Dish's Ma Raison De Vivre Ton Amour
It's always a good thing when bands from Florida start to gain notoriety. Our little neck of the woods has been quite active as of late and Dish certainly hope to keep up their pace. This duo from Deland, made up of brothers Roberto and Nathaniel Aguilar, discovered music together and now years later are actually making music together. Their album, Ma Raison De Vivre Ton Amour is probably the best thing to ever come out of the Deland.
Artistically, Dish are just about all over the map. They're like indie rock gypsy's wondering genre's and cross pollinating them in an effort to something that's hypnotizing and intriguing. At times the succeed as they occasionally sound something like Radiohead if they were playing power pop; it's those moments when the band are at their best. Other times though, the band tend to get lost on their quest falling into some sort of folky quagmire that brings down their energy level and nearly drags Ma Raison De Vivre Ton Amour with them (see "Zombie Love Song").
Utilizing all sorts of hand made percussion, acoustic guitars, vibes, programmed beats, and synths, the band is able to make just about any sort of song they choose to and about four or five songs in they have. The loungey acoustics of, "Death and Romance," serves as a perfect example of their songwriting philosophy. Opening with some jazzy, loungey, vibraphone action the song gives way to acoustic guitars and then blows up into a soaring distorted blast up to heaven. It then comes back down to earth and uses some beats to move the song along just far enough before it takes off again. It's a crazy littler rollercoaster ride of a song that crams just about everything in the bands arsenal into a tune that's under four minutes long.
For the most part, Ma Raison De Vivre Ton Amour is an impressive debut. Dish's ability to create jumpy songs that fuse genres together like super glue is truly a good thing and the album benefits form this repeatedly. It's only when the band decides to slow things down and get "jam bandish," that Ma Raison De Vivre Ton Amour suffers; hopefully Dish stays away from the coffee shop folk and sticks to writing scattered pop songs.