Ebo Taylor Is A Legend

Ebo Taylor is a bit of a legend in his native Ghana. Taking Afrobeat and making it global is no easy task, but Ebo Taylor is part of a small group of musicians who have been lucky enough to take their unique sound around the world. His latest album, Appiwa Kwa Bridge, illustrates why. Combining African sounds with jazz and funk, Taylor has created a sound that is truly all his own and, it's awesome stuff.

Perhaps sounding a bit older than you might expect, Appiwa Kwa Bridge, has a groove to it that keeps the record in a constant state of movement. At times sounding like the soundtrack to a Dirty Harry movie and at others sounding like a classic Afrobeat album, Ebo Taylor keeps the flow of this record in a constant state of jazzy flux. It works perfectly because he blends Western jazz with this home sound so well that the two influences become one. Appiwa Kwa Bridge is awesome stuff as a result of all that.

In listening to Appiwa Kwa Bridge we learn that Ebo is a fantastic song writer, likes a bit of a groove, and has one of the best horn sections on the planet. Really a jazz album with African flavors, Appiwa Kwa Bridge is a perfect blend of traditional sounds with western ones. Appiwa Kwa Bridge is beautiful, funky, optimistic stuff that features fantastic songwriting and even better musicianship.

Ebo Taylor's Love and Death

Strut Records have lined up with one of the true greats of Ghanaian music, Ebo Taylor, for his first ever internationally released studio album and lets just say it's a doozy! Love and Death is a stunningly brilliant African jazz album that has tinges of Latin music coursing through it and sounds so completely worldly and so tight that jazz junkies will stand in awe of Taylors talent and compositions. At 74, it's absolutely incredible to hear a record this vital, this alive, and dare I say it, this young coming from someone who's just about seen and done it all.

With tribal rhythms, Latin flourishes, Ghanaian vocals dotting the landscapes, and impressive instrumentation, Love and Death never disappoints. This is a record that features Afrobeat, jazz, and other influences all living together in harmony and when turned over to the Berlin based, Afrobeat Academy they take all these arrangements and sounds and run with them. The result is an album in which Taylor and his Academy cohorts transport us to the streets of Accra for a celebratory good time. Love and Death is light, airy, rhythmic and entertaining and features a couple of re-recorded Ebo Taylor classics as well as newly recorded compositions. Old or new it doesn't really matter as Taylor and the Academy lend each tune here a sense of vitality and urgency.

From the chilled horns of the title track to the newly recorded version of, "Victory," Ebo Taylor and the Afrobeat Academy play funky jazz the way you'd expect someone with loads of African, Latin, and soulful influences to play. This is a record that grooves and jams and it's in a constant state of motion. Love and Death ends up being incredibly good because it has a hard time sitting still. This is a record that even at it's slowest is still pushing things forward and Taylor succeeds in moving Afrobeat/jazz along a course chartered by him. Love and Death is an impressive display of worldly jazz that has enough funk in it's system to carry it to the promised land. Simply put Ebo Taylor has constructed a fine example of just how diverse and how cool world music can be if given half the chance; Love and Death is a great record.